The New Center Of Town
Your Boulevardier today attended the open house for the new Performing Arts Center in Castro Valley. The event was billed as a tour, but instead visitors were greeted at the door with a floorplan and invited to explore. School district employees were posted strategically around the building to answer questions.
There were a few gripes (punctuation on the signs for the restrooms, seeming lack of storage space, and the eternal dark cloud of parking were three complaints overheard by Your Boulevardier) but in general the reaction was one of wonder and civic pride. The whole of Castro Valley's citizenry were represented, from gruff-talking contractor-types in jeans to multigenerational Asian families to well-dressed folks who had likely contributed to the center's construction. Many talked about the fund-raising concert the night before. (Alas, the event, at $100 per ticket, was not in Your Bouelvardier's budget.) Of the crowd in attendance, probably numbering in the low three figures over the course of an hour, your Boulevardier was surprised to see very few children were in attendance; the center was, after all, built primarily for their use and education.
The 516-seat theatre is a study in deep red and black, with reddish-stained wooden walls and burgundy seats (comfortable, but lacking legroom), and black floors, ceilings, and stage. The black stage worried some visitors -- too dark, they thought -- until we learned that some 250 "lighting instruments" are trained on the stage (and operated from a control board worthy of the Starship Enterprise). The impressive-looking sound system -- the term "state of the art" was tossed about liberally -- includes up to 24 wireless microphones, though a technician told Your Boulevardier that more than 15 at a time are not recommended due to frequency limitations.
The two catwalks that spanned the ceiling and a high platform for spotlight operators above the control booth were off-limits; otherwise, the visitors -- whose tax dollars helped to build the center -- were encouraged to go everywhere and ask any questions. Strangely, this liberty to explore included men and women visiting each others' restrooms. Your Boulevardier eschewed this opportunity, though the floorplan revealed the answer to the pressing question left unasked: the ladies' room has seven stalls, while the mens' has three stalls and four spots for standing. Also of note: the ladies' room has five sinks, while the men's has four.
A seven-foot Yamaha grand piano, described as "stiff" by one player, graced the stage. Another, shorter instrument, a vintage Steinway donated to the center, stood in the lobby. (The story behind these pianos seems to be in dispute -- if the Yamaha is paid for, why is a piano fund-raising concert needed? -- but regardless, their presence is indeed a fine addition to the center's equipment.) Members of the Castro Valley Chamber Orchestra performed a sound check on the stage while visitors milled about. Your Boulevardier took this opportunity to check the acoustics, and he believes that the row of Standing Room spots behind the last row of seats may, in the end, turn out to be prime real estate. He cannot wait to test this hypothesis in a live concert.
